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57 stars of the air almanac, 2007 The long-awaited new album, driven by the piano influences of 1970's Elton John, swept through and embellished with his own trademark acoustic/electric guitar sounds and lyrically continuing to explore Patrick's esoteric path of stellar interests, poetic references and dreamlike realities. |
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this imaginary woman, 2003 "Somewhere between music theatre, cabaret, song cycle, and full blown requiem lives this remarkable piece...imagine Leonard Cohen, Jacques Brel, Stephen Sondheim and even Aaron Shonberg competing for stave space" - The Scotsman |
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darkness & the day, 2002 "It sounds beautiful with serious consideration given to every chord on every song...a wonderful record." - Irish Times **** |
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lullaby, 2001 "An allusive mix of guitar meanderings, forlorn folk and sparse atmospherics...Aptly titled, the album belongs to the nocturnal, its soft, sleepy tunes are the most perfect refuge for the insomniac or anyone else who likes their guitars sublime and subtle." - www.rte.ie *** |
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landed, 2000 "These songs are pithy, and genuinely brave...at once effortessly epic and heart-wrenchingly intimate. Landed is a revelation." - Mojo, Independent Album of the Month |
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fruit: hark at her, 1997 "Magnificently scabrous, eloquent, and salacious stuff. Therein lies the true answer to 'What Is Fruit?'. And that's a fine album." - NME |